A Macat Analysis of Zora Neale Hurston's Characteristics of Negro Expression
(eAudiobook)

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Published
Macat, 2016.
Format
eAudiobook
ISBN
9781912283620
Status
Available Online

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Physical Description
1h 52m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Mercedes Aguirre., Mercedes Aguirre|AUTHOR., Benjamin R. Lempert|AUTHOR., & Macat.com|READER. (2016). A Macat Analysis of Zora Neale Hurston's Characteristics of Negro Expression . Macat.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Mercedes Aguirre et al.. 2016. A Macat Analysis of Zora Neale Hurston's Characteristics of Negro Expression. Macat.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Mercedes Aguirre et al.. A Macat Analysis of Zora Neale Hurston's Characteristics of Negro Expression Macat, 2016.

MLA Citation, 9th Edition (style guide)

Mercedes Aguirre, Mercedes Aguirre|AUTHOR, Benjamin R. Lempert|AUTHOR, and Macat.com|READER. A Macat Analysis of Zora Neale Hurston's Characteristics of Negro Expression Macat, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDec9ba97c-b0ac-d181-0f26-cbb221018f43-eng
Full titlemacat analysis of zora neale hurstons characteristics of negro expression
Authoraguirre mercedes
Grouping Categorybook
Last Update2024-05-14 23:01:43PM
Last Indexed2024-06-26 05:20:50AM

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    [synopsis] => African American novelist, anthropologist, and essayist Zora Neale Hurston explains how expression in African American arts and culture in the early twentieth century departs from the art of white America. Using material collected on anthropological expeditions to the South, Hurston describes a creative process that is alive, ever-changing, and largely improvisational. At the time, African American art was often criticized for being unoriginal, and for copying white culture. To Hurston, this criticism misunderstands how African American art works. White European tradition views art as something fixed. By contrast, Hurston maintains that African American art works through a process called "mimicry"-where an imitated object or verbal pattern, for example, is reshaped and altered until it becomes something new and novel.

Hurston says that black art does not only include traditional styles, like poetry or music. Anything can inspire its artistic creativity. Furthermore, black art is dynamic. It allows its artistic creations to change, according to how its creators and performers want to express themselves at any particular moment.
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